Although the X-series of Hammond keyboards have been
favourably received world wide, there seems to be definite improvements in
this modular version. The sound appears clearer, and it can be tailored in
much greater detail to your exact requirements. The simulation of the
Leslie speaker has incredible realism and a depth you will find hard to
believe. A special Leslie driver socket on the rear of the module hooks up
to the genuine article as well.
There are two parts to the XM1 package. A tone module
contains the working guts of the instrument and a separate drawbar unit
(XMc-1) that can be placed separately, has a full set of drawbars and
controls. The two units are linked with a special 9 pin cable which can be
increased in length by an optional extension lead. A rack mount kit is
also available as an accessory.
On powering up, the module displays a representation of
drawbar positions, this can also be shown numerically. All sound editing
takes place on the module itself as does the Reverb level. On the Drawbar
unit are buttons to control 2nd and 3rd percussion, 3 stage vibrato with
or without chorus, 5 drawbar presets, Leslie on/off and fast/slow and
controls for volume and overdrive. All controls are flagged with LED's and
the Leslie light actually flashes in time with the rotation' speed of the
speaker. The 5 presets can be customized and overridden with the flick of
the controls or drawbars.
Although it may appear at first that the XM1 is just a
simple one keyboard module it is actually a complete three manual organ.
Three buttons corresponding to Upper, Lower and Pedal manuals select which
manual you are setting up. The manual connects up to your controller
instrument working on the principle that a modern organ transmits on
separate Midi channels for each manual usually 1,2 and 3. A zoned single
keyboard will also allow three separate sections to be played and with the
new upgrade software the module will be able to split a single channel
keyboard.
The XM1 has 100 factory presets which cover all popular
playing styles by both category and performer plus 28 user presets. A
preset sets up the whole instrument. One reason why the sound is so
authentic is the extreme care and precision with which it has been
sampled. However it is also due to the incredible versatility of the unit
which enables you to literally create your own Hammond and Leslie unit.
Add to this the sound variations of the drawbars themselves and you have a
very powerful instrument.
To edit a sound you use a combination of multiple buttons
on the front of the module. There are 4 levels of key click, 4 levels of
sustain and 3 types of tone wheel generator for Upper and Lower manuals!
You can choose between either a B-3, a pure sine wave or "Brite" where the
higher pitched drawbars have extra frequencies added. If you are using B-3
tones then you can also choose whether or not to have fold-back', which
will add extra bite to certain key areas.
The 2nd and 3rd percussion can be fine tuned by decay
length, tone and volume. Again copying the older Hammonds they can either
sound only on the first key taken down or on every key. They can even be
velocity sensing unlike old Hammonds. Some old models used to borrow the
8th harmonic drawbar to create the percussion, this is another choice to
make. On older models the percussion volume would reduce the higher you
played and this too, can be mimicked if you wish. As well as the general
Vibrato presets, their speed can be fine tuned with 5 preset speeds to
choose from. As well as the reverb depth on the module there are four
reverb settings, all are fully adjustable, and a 15 stage overdrive
setting to imitate the typically rock and jazz Hammond that overdrives the
amplifier and speakers.
There are five preset Leslie unit simulations;
122,147,710,760 and 850 plus a further five user programmable. The detail
in which you can construct your own Leslie simulator is quite incredible.
The speed of the rotors for bass and treble is fully adjustable as are the
accelerations and slow-down times. On top of this you can adjust the time
it takes for each rotor to achieve a dead stop (Brake Time). The balance
between the treble and bass rotor is fully adjustable and you can even
simulate the distance and angle a stereo pair of microphones will make to
the sound, thus imitating exactly the sound of a Leslie in a concert hall
or recording studio.
If you want to blend more contemporary features into the
traditional Hammond then After touch can be assigned to Leslie or Pitch
Bend. You can also set up Modulation and Pitch Blend controls as well and
there are similar and well thought out options for foot pedals.
Any manual can be allotted any MIDI channel. As well as
being able to select preset sounds using MIDI an advanced function will
let MIDI alter the drawbars individually particularly when utilizing a
customized Mixer Map controller page on a sequencer. It is possible to
record all drawbar and control changes in real time so that a MIDI
sequencer will reproduce a performance exactly.
This
module is a triumph for Hammond. It has the feel and character of its
forebears and if you are the least bit serious about having a drawbar
sound you would be mad not to buy this! |